Archaeologists and the lost city of Atlantis might not seem to mix. That’s because archeologists look for evidence of human beings. However, in Atlantis, we weren’t human. Indeed, in the past life regression memories of Atlantis, we were gods and goddesses, thought beings, light beings, and demigods. In my next series of videos, I’ll explore ancient ruin sites that show evidence of these unusual beings from Atlantis.
Today I enjoyed a delightful lunch with author and speaker Una Marcotte in Virginia Beach, Virginia. Una is the author of From Creation to Lemuria, a wonderful book, which my company, SunTopaz LLC, will be publishing.
In reviewing my notes for my talk next Saturday in Portland, Oregon, on Atlantis and its Colony in Egypt, I wonder again, how would you prove some ancient civilization actually was Atlantis?
It isn’t as if there would be a sign that said, “Atlantis.” Who knows what Atlanteans had called themselves or what, if any, language they used? Maybe they had no written language at all or anyway, no language like any on earth at this time. How would you know it was Atlantis and not some other ancient civilization?
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Have you heard of Gobekli Tepe? It was discovered by a shepherd who noticed oblong shaped rocks that appeared to be arranged in a pattern. Excavation started in 1994.
Stonehenge was built 5000 years ago in 3,000 BC and the pyramids of Giza in 2,500 BC. Carbon dating of organic matter adhering to the megaliths of Gobekli Tepe reveal it to be 12,000 years old, meaning it was built around 10,000–9,000 BC.
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The ruin is older than the start of human settlement, writing, pottery and the wheel.
Who made this ancient ruin? Citizens from Atlantis?
Even stranger than its antiquated date, is the discovery that about 8,000 BC, the inhabitants of Gobekli Tepe purposefully buried all their megalithic rocks. That is the reason the ruins have been overlooked for so long. They looked to most people, including archeologists before the shepherd noticed the regular pattern of the rocks, like hills.
Copyright (c) 2009 Carol Chapman
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